
Age: 69
female
Frances Louise McDormand (born Cynthia Ann Smith; June 23, 1957) is an American film, stage and television actress. McDormand began her career on stage and made her screen debut in the 1984 film Blood Simple, having since appeared in several theatrical and television roles. McDormand has been recognized for her performances in 'Mississippi Burning' (1988), 'Short Cuts' (1993), 'Fargo' (1996), 'Wonder Boys' (2000), 'Almost Famous' (2000), 'North Country' (2005), 'Moonrise Kingdom' (2012), 'Hail, Caesar!' (2016), 'Three Billboards Outside Ebbing, Missouri' (2017), 'Nomadland' (2020) and 'The Tragedy of Macbeth' (2021). Throughout her career, she has been nominated for eight Golden Globes, five Academy Awards, four BAFTA Awards, and three Emmy Awards. She is one of the few performers to achieve the "Triple Crown of Acting", winning an Academy Award, a Primetime Emmy Award, and a Tony Award. She won her first Academy Award for Best Actress in 1997 for her role as Marge Gunderson in 'Fargo'. She also won Best Supporting Actress from the Broadcast Film Critics Association, the Florida Film Critics Circle, and the Los Angeles Film Critics Association for her performance in 'Wonder Boys' (2000). McDormand returned to the stage in the David Lindsay-Abaire play Good People on Broadway from February 8, 2011 to April 24, 2011. In 2017, McDormand starred in 'Three Billboards Outside Ebbing, Missouri' which earned her a second Academy Award for Best Actress. McDormand has been married to filmmaker Joel Coen since 1984, they reside in New York City along with their adopted son Pedro.

Frances McDormand

Elena’s mother Joan
for Elena’s mother Joan in Saw XI: Revelations of Flesh
Suggested by roma_007

In a decaying metropolis gripped by fear, a new killer rises—not as a copycat of Jigsaw, but as a self-proclaimed messiah. Known only as The Shepherd, this prophet of pain has reimagined John Kramer’s legacy into a religious crusade, judging not only individuals but humanity itself. His intricate traps are more than tests—they’re sermons carved in blood, meant to transform or destroy. FBI profiler Helena Doyle, a survivor of a trap from five years ago, is brought back into the field when a series of ritualistic murders point to something darker than any of the Jigsaw copycats before. With a cult of devoted followers behind him, The Shepherd turns the city into a sanctuary of suffering. As Helena unravels his twisted theology, she realizes the final revelation might demand a sacrifice far greater than she ever imagined.