Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Jessica Green
Sloane Calloway
for Sloane Calloway in Salt and Gold — One More Summer
Suggested by mr95
A decade after her father's death brought her back to Amber Cay for what was supposed to be a week, Sloane is fully who she once swore she'd never become: a Calloway who stayed. The final season is framed around a single, symbolic summer — the marina's fiftieth anniversary — and the quiet question that's been building since season one: what happens to Calloway Marina, and to Amber Cay itself, in the next generation. Isla's teenage daughter shows early signs of wanting nothing to do with the family business, echoing Sloane's own younger self. Faye's investment expertise pulls her toward a life half in the city, half on the coast. And Sloane and Beckett, now raising a young daughter of their own, must decide whether they want her to inherit the marina's beauty or its weight. The season closes not on a crisis, but on a choice — the same dock, the same golden light, a different ending than the one Sloane wrote for herself at eighteen.
