Age: 27
male
Charlie Faulkner Plummer (born May 24, 1999) is an American actor. He began his career as a child actor in short films and made his feature film debut in David Chase's drama Not Fade Away (2012) before landing a lead role in King Jack (2015). In 2017, he gained wider recognition for playing John Paul Getty III in Ridley Scott's thriller All the Money in the World and a troubled teenager in Andrew Haigh's drama Lean on Pete. His performance in the latter earned him the Marcello Mastroianni Award for the best-emerging actor. On television, Plummer made his first prominent appearances on the dramas Boardwalk Empire (2011–2013) and Granite Flats (2013–2015). He has since starred in the Hulu miniseries Looking for Alaska (2019) and portrayed a young Franklin D. Roosevelt in the Showtime series The First Lady (2022). Description above from the Wikipedia article Charlie Plummer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Charlie Plummer
Dante Salazar
for Dante Salazar in Salazar in Milan
Suggested by sepanta_kazemi
Leonita Salazar dies at 68 in Boston, after a long fight with cancer. She leaves no husband, no partner, no family circle. Only her son, Justin Salazar. Justin grew up with a loving mother and a sealed past. No clear stories about Italy. No name for his father. No photographs that explain anything. Only a life built on quiet routines and carefully avoided questions. After the funeral, Justin opens her letter. It reads like a will, but feels like a confession. Go to Italy. Go to Milan. Find Aldo Carbone. He will know how to clear the path. And then, a final line that cuts deeper than grief. My son, forgive me. Justin lands in Milan carrying two things. A suitcase. And a sentence that will not leave his head. Milan hits him fast. The beauty, the speed, the cold elegance. But beneath it, something watches him. A stranger asks the wrong kind of friendly questions. A taxi driver repeats his last name like he has heard it before. A phone call arrives with silence on the other end. Doors close when he says “Salazar.” People who should help him hesitate. People who should not know him seem to recognize him. When Justin finally meets Aldo Carbone, he expects an old family friend. He finds a man who speaks like someone who has been waiting years for this moment. Aldo does not offer comfort. He offers rules. He gives Justin a list of places, names, and dates. He warns him that Milan holds two versions of the truth. The one people tell. And the one people bury. Justin follows the trail through rain-dark streets, archived records, locked apartments, and forgotten neighborhoods where family history lives like a bruise. Each clue pulls him closer to a past his mother fought to keep away from him. A past tied to a romance that never survived, a betrayal that never healed, and a father who might not be missing by accident. The more Justin learns, the more resistance he meets. Someone shadows him. Someone wants the past to stay buried. Someone treats his search like a threat. What started as mourning turns into pursuit. What looked like a family mystery begins to feel like a warning that arrived too late. And through every step, that last sentence from his mother grows heavier. Forgive me. Because the truth waiting in Milan is not only about who his parents were. It is about what was taken. What was traded. What was hidden to protect him. And what his mother did, years ago, that set all of this in motion. Salazar In Milan is a dramatic, mystery-driven journey through beauty and danger, where a son chases a family story across a city that refuses to speak plainly, and discovers that some love stories do not end. They get buried. Then they come back with a cost.
