Age: 52
female
Vera Ann Farmiga (/fɑːrˈmiːɡə/ far-MEE-gə; born August 6, 1973) is an American actress. Farmiga began her professional acting career on stage in the original Broadway production of Taking Sides (1996). After expanding to television and film, her breakthrough came with her starring role as a drug addict in the drama Down to the Bone (2004). She then had roles in the political thriller The Manchurian Candidate (2004), the crime drama The Departed (2006), and the historical drama The Boy in the Striped Pyjamas (2008). She was also established as a scream queen for her performances in the horror films Joshua (2007) and Orphan (2009). For her performance in the comedy-drama Up in the Air (2009), Farmiga was nominated for an Academy Award and other accolades. She then made her directorial debut with the drama film Higher Ground (2011), in which she had the leading role. She starred in the thrillers Source Code (2011) and Safe House (2012), before furthering her scream queen status by portraying paranormal investigator Lorraine Warren in the Conjuring Universe films The Conjuring (2013), The Conjuring 2 (2016), Annabelle Comes Home (2019), and The Conjuring: The Devil Made Me Do It (2021). She also starred in the legal drama The Judge (2014), the biographical drama The Front Runner (2018), the monster film Godzilla: King of the Monsters (2019), and the crime drama The Many Saints of Newark (2021). On television, Farmiga received Primetime Emmy Award nominations for playing Norma Louise Bates in the A&E drama horror series Bates Motel (2013–2017) and starring in the Netflix miniseries When They See Us (2019). She also appears in the Disney+ miniseries Hawkeye (2021), set in the Marvel Cinematic Universe, and the Apple TV+ miniseries Five Days at Memorial (2022). Description above from the Wikipedia article Vera Farmiga, licensed under CC-BY-SA, full list of contributors on Wikipedia.
I feel unclean, I feel as if I need to lay on the largest bar of soap in the world because I'm so fascinated by the world in 2022's Crimes Of The Future. Which is weird because while this is Cronenberg's first cinematic outing to hearken back to his 'body horror' roots (a genre of which he himself apparently rejects), the graphics are actually quite mild conpared to what you'd expect from that. It's also just a minor aspect in the larger functions of the film, that almost comes off like an adaptation of an incredibly dense book. The ambiance, the themes and the look of it all just cerebrally tickles me and I'm just thinking of the cast of characters we could use to deepen the lore of Crimes Of The Future.
