Age: 30
female
Anya-Josephine Marie Taylor-Joy (/ˈænjə/; born 16 April 1996) is an American actress and voice actress. Born in Miami and raised in Buenos Aires and London, she left school at 16 to pursue an acting career. After several minor television roles, her breakthrough came with a leading role in the horror film The Witch (2015). Her career progressed with roles in the horror film Split (2016) and its sequel Glass (2019), the black comedy film Thoroughbreds (2017), and playing Emma Woodhouse in the period drama Emma (2020). Taylor-Joy featured in the television crime drama series Peaky Blinders (2019–2022) and earned international recognition for playing Beth Harmon in the period drama miniseries The Queen's Gambit (2020), winning a Golden Globe Award and a SAG Award, in addition to a nomination for a Primetime Emmy Award. She then starred in the horror film Last Night in Soho (2021), the action films The Northman (2022) and The Gorge (2025), and the black comedy The Menu (2022). She also voiced Princess Peach in the animated film The Super Mario Bros. Movie (2023). She starred as Imperator Furiosa in the apocalyptic film Furiosa: A Mad Max Saga (2024). Description above from the Wikipedia article Anya Taylor-Joy, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Saga is an epic, adult space opera/fantasy comic by Brian K. Vaughan (writer) and Fiona Staples (artist) — one of the most acclaimed comics of the last decade. In a galaxy torn apart by an endless war between the winged people of Landfall and the horned magic-users of its moon Wreath, two soldiers from opposite sides — Alana and Marko — fall in love, desert their armies, and have a child named Hazel. Their interspecies family becomes a symbol that could end the war… or be hunted to extinction. Narrated by Hazel as an adult looking back, Saga blends sweeping galactic adventure, heartfelt family drama, sex, violence, humor, and social commentary. It follows the family’s desperate journey across planets while being pursued by bounty hunters, royals, tabloid journalists, and assassins. Expect beautiful world-building, unforgettable side characters (talking cats that detect lies, robot royals with TV heads, ghost babysitters, etc.), and themes of love, parenthood, war, and prejudice. It’s often compared to Star Wars meets Romeo & Juliet meets Game of Thrones in tone — sexy, subversive, funny, and emotionally devastating. Perfect for fan-casting because of its massive, visually striking cast of aliens, robots, and humans.
