Age: 79
male
Walter Charles Dance OBE (born 10 October 1946) is an English actor, screenwriter, and director. He typically plays strict, authoritarian characters or villains. He is best known for his roles as Tywin Lannister in Game of Thrones, Kitchener in The King's Man, Martin Benson in Amazon Prime's The Widow, Lord Mountbatten in Netflix's The Crown (for which he was nominated for a Primetime Emmy Award for Outstanding Guest Actor in a Drama Series), Thomas in Underworld: Awakening and Underworld: Blood Wars, Harold Fillmore in Ghostbusters (2016), Mr. Bennet in Pride and Prejudice and Zombies, Frankenstein in Victor Frankenstein, Master Vampire in Dracula Untold, Conrad Knox in the Cinemax series Strike Back, Raymond Stockbridge in Gosford Park, one-eyed hitman Benedict in Last Action Hero, Clemens in Alien³, Sardo Numpsa in The Golden Child, and Guy Perron in The Jewel in the Crown. He started his career on stage with the Royal Shakespeare Company (RSC) before appearing in film and television. For his services to drama, he was appointed an Officer of the Order of the British Empire (OBE) by Queen Elizabeth II in 2006. He made his directorial film debut with the drama film Ladies in Lavender (2004), which he also wrote and executive produced.
A gripping historical thriller set in sixteenth-century England and centered on the highly secretive cult of Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral. London, summer of 1584: Radical philosopher, ex-monk, and spy Giordano Bruno suspects he is being followed by an old enemy. He is shocked to discover that his pursuer is in fact Sophia Underhill, a young woman with whom he was once in love. When Bruno learns that Sophia has been accused of murdering her husband, a prominent magistrate in Canterbury, he agrees to do anything he can to help clear her name. In the city that was once England's greatest center of pilgrimage, Bruno begins to uncover unsuspected secrets that point to the dead man being part of a larger and more dangerous plot in the making. He must turn his detective's eye on history—on Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral, and on the legend surrounding the disappearance of his body—in order to solve the crime. As Bruno's feelings for Sophia grow more intense, so does his fear that another murder is about to take place—perhaps his own. But more than Bruno's life is at stake in this vividly rendered, impeccably researched, and addictively page-turning whodunit—the stability of the kingdom hangs in the balance as Bruno hunts down a brutal murderer in the shadows of England's most ancient cathedral.
