
Age: 45
female
Carrie Alexandra Coon (born January 24, 1981) is an American actress. Known for her portrayals of complex characters on stage and screen, she has received a Critics' Choice Television Award, as well as nominations for three Primetime Emmy Awards and a Tony Award. On television, her breakout role was as Nora Durst in the drama series The Leftovers (2014–2017). Subsequently, she received her first nomination for Primetime Emmy Awards for Outstanding Lead Actress in a Limited Series or Movie for her role as Gloria Burgle in the third season of the black comedy crime anthology series Fargo (2017), her second for Outstanding Lead Actress in a Drama Series for playing Bertha Russell in the period drama series The Gilded Age (2022–present) and her third for Outstanding Supporting Actress in a Drama Series for her role as Laurie Duffy in the third season of the satirical dramedy anthology series The White Lotus (2025). She made her film debut in Gone Girl (2014), with further roles in films such as The Post (2017), Widows (2018), The Nest (2020), Boston Strangler (2023), and His Three Daughters (2024). She has also portrayed characters in blockbuster films such as Proxima Midnight in Avengers: Infinity War(2018) and Callie Spengler in Ghostbusters: Afterlife (2021) and its sequel, Ghostbusters: Frozen Empire (2024). On stage, Coon made her Broadway debut as the naive wife Honey in the revival of Who's Afraid of Virginia Woolf? (2012), for which she was nominated for the Tony Award for Best Featured Actress in a Play. Description above from the Wikipedia article Carrie Coon, licensed under CC-BY-SA, full list of contributors on Wikipedia.

When Jason Blossom’s lifeless body washes up on the banks of Sweetwater River, the quiet facade of Riverdale shatters. As grief ripples through the town, four teens—Archie Andrews, freshly returned from a summer he won’t talk about; Betty Cooper, the golden girl with cracks beneath the surface; Jughead Jones, a loner with a typewriter and suspicions; and Veronica Lodge, the Manhattan exile with secrets of her own—are pulled together by the weight of a mystery no one wants solved. As they peel back layers of lies, hidden affairs, and ghost stories whispered in the woods, they uncover something older and darker than murder—something tied to Riverdale’s founding bloodlines. With stylized visuals blending neon-lit dreams and surreal dread, Shadows of the Town reimagines Riverdale not as a teen drama, but as a moody, mythic thriller about legacy, loss, and the lies we tell to keep the past buried.

