Age: 46
male
He is best known for playing the lead role of Ian Curtis in the movie Control, a biopic about the lead singer of the 1970s post-punk band Joy Division. His performance in the role won him the British Independent Film Award for "Most Promising Newcomer". He also won a Kermode for Best Actor 2007 for the film. Prior to his portrayal of Ian Curtis, Riley played The Fall frontman Mark E. Smith in the Michael Winterbottom film 24 Hour Party People, which details the Factory Records era. His scenes, however, were omitted from the final cut. In September 2007, Riley was cast in Gerald McMorrow's British science fiction film Franklyn. He will play a lead role in 13, an English-language remake of the French thriller 13 Tzameti. He is currently playing the role of Pinkie Brown in a remake of Brighton Rock alongside Helen Mirren.
Sam Riley
Matt Aitken
for Matt Aitken in Rick Astley: Never Gonna Give You Up (Biopic)
Suggested by kaueoliveira
The film, "Rick Astley: Never Gonna Give You Up," explores the journey of the unassuming, ginger-haired teenager from Lancashire, England, who was catapulted to global stardom as a pop sensation in the late 1980s. The story begins with his humble origins and his discovery by the era's most powerful, hit-making trio, Stock Aitken Waterman (SAW). Despite his shy demeanor and lack of pop-star confidence, the combination of his unexpectedly deep baritone voice and the SAW production machine turned "Never Gonna Give You Up" into a massive, worldwide phenomenon, making him an overnight star. The central conflict of the film is the classic dilemma of artistic authenticity versus commercial control. Astley, initially grateful, soon feels trapped by the image and the bubblegum pop sound dictated by the SAW factory, longing for creative independence and to perform his own, deeper songs. The narrative focuses on the immense pressure, the exhaustion of constant touring, and the eventual personal breakdown that led him to famously retire from the music industry at the height of his fame at age 27. The final act briefly touches upon his quiet family life and his unexpected, celebrated cultural re-emergence through the internet phenomenon of "Rickrolling," reframing his legacy from a manufactured pop idol to a beloved, enduring, and self-aware cultural icon whose most famous song became a global inside joke.
