Age: 64
female
Mayes Castillero Rubeo (born 1962) is a Mexican costume designer. She is known for her work on the films Apocalypto (2006), Avatar (2009), John Carter (2012), World War Z (2013), Warcraft (2016), Thor: Ragnarok (2017), and Jojo Rabbit (2019), the lattermost of which earned her Academy Award and BAFTA Award nominations. Rubeo was born Mayes Castillero in Mexico City in 1962. She studied at Guadalajara High School José Guadalupe Zuno Hernández. She moved from Mexico City to Los Angeles in the 1980s and attended Los Angeles Trade Tech. After graduating, she moved to Italy to work with Italian costume designer Enrico Sabbatini. To this day, Rubeo maintains a workshop in Italy. She got her start in Hollywood working as a costume designer. In 2006, she was engaged as a costume designer for Mel Gibson's Apocalypto. Three years later she worked with James Cameron on Avatar, for which she was nominated for the Costume Designers Guild Award in the Excellence in Fantasy Film category. Rubeo received Academy Award and BAFTA Award nominations for best costume design in Jojo Rabbit. She received the Artistry in Filmmaking Award at the 2021 Coronado Island Film Festival. Mayes Rubeo was married to the Italian production designer Bruno Rubeo until he died in 2011. Their son is an art director. Description above from the Wikipedia article Mayes C. Rubeo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Mayes C. Rubeo
Costume Designer
for Costume Designer in RED HOOD: RONIN (Live Action Film)
Suggested by nihilus
A samurai-ronin version of Red Hood goes up against Deathstroke and Katana in a brutal action packed 1v2 clash of blades with peak fight choreography inspired by samurai martial arts films like Rurouni Kenshin ⚔️ 🔥 When a brutal shift in Gotham’s underworld puts Red Hood—now a ruthless ronin crime-boss—at the center of it, two elite assassins, Deathstroke and Katana, form a quiet, unnerving alliance to bring him down. But Red Hood is no underdog; he matches their hyperviolent martial-arts precision and ronin-level swordplay strike for strike, and rumors whisper that he may have been the one who ended the Dark Knight himself, with the rest of the Bat-Family mysteriously vanished. As Deathstroke and Katana carve through gangs with ghostlike coordination, all three fighting with peak samurai-ronin technique, and Red Hood counters with savage violence of his own, the city braces for a three-way collision between killers so deadly that no one knows who’s hunting whom anymore.
