Age: 54
male
Karl-Heinz Urban (born 7 June 1972) is a New Zealand actor. His career began with appearances in New Zealand films and TV series such as Xena: Warrior Princess. His first Hollywood role was in the 2002 horror film Ghost Ship. Since then, he has starred in many high-profile movies, including as Éomer in the second and third installments of The Lord of the Rings trilogy, Vaako in the second and third installments of Riddick film series, Leonard McCoy in the Star Trek reboot film series, Kirill in The Bourne Supremacy (2004), John "Reaper" Grimm in Doom (2005), Judge Dredd in Dredd (2012), Gavin Magary in Pete's Dragon (2016), and Skurge in Marvel Studios' Thor: Ragnarok (2017). In 2013, he starred in the sci-fi series Almost Human. Since 2019, he has starred as Billy Butcher in Amazon's superhero streaming television series The Boys.
Karl Urban
Arthur Morgan
for Arthur Morgan in Red Dead Redemption II
Suggested by pipecacique
Red Dead Redemption II follows Arthur Morgan, a hardened outlaw and enforcer for the Van der Linde gang, as he navigates the collapse of the Old West in 1899. Alongside gang leader Dutch van der Linde and a cast of complex criminals, Arthur struggles to survive in an increasingly hostile world where law and order are tightening their grip. The narrative explores themes of loyalty, redemption, and mortality as the gang's carefully laid plans unravel and internal tensions threaten to tear them apart. Arthur finds himself caught between his brutal nature and an emerging conscience, particularly through his relationships with fellow gang members and his encounters with those he's wronged. Set across a vast, meticulously detailed American frontier, the game weaves Arthur's personal journey with the gang's desperate attempts to pull off one final score before everything crumbles. As federal agents close in and the gang fractures under pressure, Arthur must confront the consequences of his choices and decide what kind of man he wants to be in his final days. The story is a tragic meditation on the death of an era and the possibility of redemption in a world that offers none.
