Age: 51
male
José Pedro Balmaceda Pascal (Spanish: [xoˈseˈpeðɾo βalmaˈseða pasˈkal]; born April 2, 1975) is a Chilean and American actor. After nearly two decades of taking small roles on stage and television, Pascal had his breakout role as Oberyn Martell in the fourth season of the HBO fantasy series Game of Thrones (2014). He gained further prominence with his portrayal of Javier Peña in the Netflix crime series Narcos (2015–2017). He went on to appear in the films The Great Wall(2016), Kingsman: The Golden Circle (2017), The Equalizer 2 (2018), and Triple Frontier (2019). Pascal's leading roles as Din Djarin in the Disney+ science fiction series The Mandalorian (2019–2023) and Joel Miller in the HBO post-apocalyptic drama series The Last of Us (2023–present) propelled him to international stardom, earning him a reputation for portraying adoptive father figures. For the latter role, he received numerous accolades, including a Screen Actors Guild Award and nominations for a Golden Globe Award and Primetime Emmy Award. He also portrayed parental characters in We Can Be Heroes (2020), Strange Way of Life (2023), and The Wild Robot (2024). Pascal has also starred in the big-budget films Wonder Woman 1984 (2020) and Gladiator II (2024). He plays Reed Richards / Mister Fantastic in the Marvel Cinematic Universe, beginning with The Fantastic Four: First Steps (2025). Active in theatre since 1999, he made his Broadway debut as Edmund in a 2019 adaptation of King Lear. In 2023, Time Magazine named him one of the 100 most influential people in the world. Description above from the Wikipedia article Pedro Pascal, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Pedro Pascal
Doctor Strange
for Doctor Strange in Rebooted Avengers Civll war
Suggested by Spidermaj
The Avengers stand fractured. When a catastrophic mission leaves civilians dead and governments demanding accountability, the team splinters into warring factions. One side believes heroes must answer to authority—that power without oversight breeds tyranny. The other refuses to surrender their autonomy, convinced that bureaucracy will weaponize them, strip them of their moral compass. Former allies become adversaries. Trust shatters. The conflict cuts deeper than ideology—it's personal, intimate, devastating. As each hero chooses a side, they're forced to confront an unbearable truth: stopping the other team means stopping people they've bled beside, people they've called family. The real enemy isn't across the battlefield. It's the impossible choice that demands they destroy everything they've built to prove what they believe in. There is no victory here. Only ruin.
