
Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ana de Armas

Spider-woman
for Spider-woman in Rebooted Avengers: A new Beginning
Suggested by Spidermaj

The world fractures when a catastrophic event shatters the fragile peace. Governments collapse. Cities burn. And the heroes who once saved humanity find themselves powerless, hunted, and fractured by betrayal. A new generation must rise—ordinary people thrust into extraordinary circumstances, forced to master abilities they never asked for. They carry the weight of impossible choices. Trust becomes a weapon. Every decision echoes with consequence. As ancient threats emerge from the shadows and former allies turn to enemies, these unlikely heroes discover that salvation demands sacrifice. The line between hero and villain blurs. The cost of victory may be everything they hold dear. This is not a story of triumph. This is a reckoning. This is what happens when the world demands heroes it doesn't deserve—and heroes must become something darker to survive.