Age: 40
female
Amanda Michelle Seyfried (/ˈsaɪfrɛd/ SY-fred; born December 3, 1985) is an American actress. She began acting at 15, with recurring roles as Lucy Montgomery in the CBS soap opera As the World Turns (1999–2001) and Joni Stafford in the ABC soap opera All My Children (2003). She came to prominence for her feature film debut in the teen comedy Mean Girls (2004) and her roles as Lilly Kane in the UPN mystery drama series Veronica Mars (2004–2006) and Sarah Henrickson in the HBO drama series Big Love (2006–2011). Seyfried has starred in many films, including Mamma Mia! (2008) and its sequel Mamma Mia! Here We Go Again (2018), Jennifer's Body (2009), Dear John (2010), Letters to Juliet (2010), Red Riding Hood (2011), In Time (2011), Les Misérables (2012), A Million Ways to Die in the West (2014), Ted 2 (2015), and First Reformed (2017). Seyfried received critical acclaim and nominations for the Academy Award and Golden Globe Award for Best Supporting Actress for portraying Marion Davies in David Fincher's biopic Mank (2020). For her starring role as Elizabeth Holmes in the Hulu miniseries The Dropout (2022), she won the Golden Globe Award and Primetime Emmy Award for Outstanding Lead Actress. In 2022, Time named her one of the 100 most influential people in the world. Description above from the Wikipedia Amanda Seyfried, article licensed under CC-BY-SA, full list of contributors on Wikipedia.
Amanda Seyfried
"I“/ "Ich"
for "I“/ "Ich" in Rebecca The Musical (Movie)
Suggested by sy_syara
Based on Daphne du Maurier’s eponymous bestselling novel, adapted by thriller mastermind Alfred Hitchcock in 1940 as the equally fabulous movie version – his first and only movie ever awarded an Oscar – REBECCA by VBW adheres closely to its legendary source, approved and warmly welcomed by no other than the du Maurier family themselves: hugely impressed by a performance of Michael Kunze’s and Sylvester Levay’s ELISABETH, Daphne du Maurier’s son, Christian Browning, gladly granted the rights for a musical version to VBW. Faithful to its psychologically riveting template, REBECCA traces the fascinating transition of the story’s While working in Monte Carlo as the companion for the wealthy Mrs. Van Hopper, an unnamed narrator (known as "Ich"/"I") a shy and naïve young girl falling in love with the worldly, elegant millionaire Maxim de Winter. A man with a troubled mind and a dark secret, obsessed by a shadow from the past – his late wife, Rebecca. A sinister yet charismatic female villain – the vicious Mrs. Danvers – , slyly pulling all the psychological strings the classic thriller genre has to offer. And a magnificent mansion by the seaside – the legendary de Winter family estate Manderley – as a backdrop, endangered by looming catastrophic events: The shadow of Rebecca hangs more and more heavily over the house, making it increasingly difficult for our heroine to face the challenges not only of running a great estate but within her marriage — especially when it's increasingly clear that the two are related. Gradually, with a not-so-subtle assist from Mrs. Danvers, she begins to despair of ever living up to the perfect, proud, beloved Rebecca.
