Age: 68
female
Melanie Richards Griffith (born August 9, 1957) is an American actress. She began her career in the 1970s, appearing in several independent thriller films before achieving mainstream success in the mid-1980s. Born in New York City to actress Tippi Hedren and advertising executive Peter Griffith, she was raised mainly in Los Angeles, where she graduated from the Hollywood Professional School at age 16. In 1975, a then 17-year-old Griffith appeared opposite Gene Hackman in Arthur Penn's film noir Night Moves. She later rose to prominence for her role portraying a pornographic actress in Brian De Palma's thriller Body Double (1984), which earned her a National Society of Film Critics Award for Best Supporting Actress. Griffith's subsequent performance in the comedy Something Wild (1986) garnered critical acclaim before she was cast in 1988's Working Girl, which earned her a nomination for the Academy Award for Best Actress and won her a Golden Globe. The 1990s had Griffith in a series of roles that received varying critical reception; she received Golden Globe nominations for her performances in Buffalo Girls (1995), and as Marion Davies in RKO 281 (1999), while also earning a Golden Raspberry Award for Worst Actress for her performances in Shining Through (1992), as well as receiving nominations for Crazy in Alabama (1999) and John Waters' cult film Cecil B. Demented (2000). Other credits include John Schlesinger's Pacific Heights (1990), Milk Money (1994), the neo-noir film Mulholland Falls (1996), as Charlotte Haze in Adrian Lyne's Lolita (1997), and Another Day in Paradise (1998). She later starred as Barbara Marx in The Night We Called It a Day (2003), and spent the majority of the 2000s appearing on such television series as Nip/Tuck, Raising Hope, and Hawaii Five-0. After acting on stage in London, in 2003, she made her Broadway debut in a revival of the musical Chicago, receiving celebratory reviews. In the 2010s, Griffith returned to film, starring opposite then-husband Antonio Banderas in the science-fiction film Autómata (2014) and as an acting coach in James Franco's The Disaster Artist (2017).
Melanie Griffith
Grace Le Domas
for Grace Le Domas in Ready or Not (1984)
Suggested by chris83
A young bride arrives at her wealthy fiancé's sprawling estate on their wedding night, only to discover his eccentric family plays a deadly game of hide-and-seek every wedding—and she's the hunted prey. Armed with nothing but her wits and wedding dress, she must evade ruthless relatives through shadowy mansions and overgrown grounds until dawn breaks. As the night unfolds, she uncovers the dark family tradition's sinister origins and realizes this isn't sport—it's a twisted ritual of initiation and survival. With each close call, she transforms from terrified bride into cunning adversary, turning the hunters' own manor against them. A taut thriller that blends gothic horror with dark comedy, exploring how far one woman will go to reclaim her life and expose the rot beneath old money's veneer.
