Age: 50
male
Sterling Kelby Brown (born April 5, 1976) is an American actor. Known for his leading roles on stage and screen, he has received numerous accolades, including three Primetime Emmy Awards, a Golden Globe Award, and a nomination for an Academy Award. He was included in Time magazine's list of the 100 most influential people in the world in 2018. Brown portrayed Christopher Darden in the FXlimited series The People v. O. J. Simpson: American Crime Story (2016), which earned the Primetime Emmy Award for Outstanding Supporting Actor in a Limited Series or Movie. For his role as Randall Pearson in the NBC drama series This Is Us (2016–2022), he earned the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series. He was further Emmy-nominated for his comedic roles in the Fox Brooklyn Nine-Nine (2018) and the Amazon Prime comedy series The Marvelous Mrs. Maisel (2019). For his role in American Fiction (2023), he was nominated for the Academy Award for Best Supporting Actor. Brown is also known for his leading roles in films such as Hotel Artemis (2019), Honk for Jesus. Save Your Soul. (2022), and Biosphere (2023) as well as supporting roles in Marshall (2017), Black Panther (2018), and Waves (2019). He has voiced roles in the 2019 animated films The Angry Birds Movie 2 and Frozen II. Description above from the Wikipedia article Sterling K. Brown, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Sterling K. Brown
Dr. Robert Anderson
for Dr. Robert Anderson in Quicksand
Suggested by anjalirenee
Born to a white mother and an absent black father, and despised for her dark skin, Helga Crane has long had to fend for herself. As a young woman, Helga teaches at an all-black school in the South, but even here she feels different. Moving to Harlem and eventually to Denmark, she attempts to carve out a comfortable life and place for herself, but ends up back where she started, choosing emotional freedom that quickly translates into a narrow existence. Quicksand , Nella Larsen's powerful first novel, has intriguing autobiographical parallels and at the same time invokes the international dimension of African American culture of the 1920s. It also evocatively portrays the racial and gender restrictions that can mark a life.
