Age: 56
male
Alexander Medawar Garland (born 26 May 1970) is an English author, screenwriter, and director. He rose to prominence with his novel The Beach (1996). He received praise for writing the Danny Boyle films 28 Days Later (2002) and Sunshine (2007), as well as Never Let Me Go (2010) and Dredd (2012). In video games, he co-wrote Enslaved: Odyssey to the West (2010) and was a story supervisor on DmC: Devil May Cry (2013). Garland made his directorial debut when he wrote and directed the sci-fi thriller Ex Machina (2014). He earned an Academy Award nomination for Best Original Screenplay. He won three British Independent Film Awards, including Best Screenplay, Best Director, and Best British Independent Film for the film. His second movie, Annihilation (2018), an adaptation of the 2014 novel of the same name, was a critical success. He wrote, directed, and executive produced the FX miniseries Devs (2020), followed by the horror thriller Men (2022) and the dystopian action thriller Civil War (2024). He also co-directed the war film Warfare (2025). A24 produced the three films. Description above from the Wikipedia article Alex Garland, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Justice, and the enforcement of it, has changed. In the 22nd century, Japan enforces the Sibyl System, an objective means of determining the threat level of each citizen by examining their mental state for signs of criminal intent, known as their Psycho-Pass. Inspectors uphold the law by subjugating, often with lethal force, anyone harboring the slightest ill-will; alongside them are Enforcers, jaded Inspectors that have become latent criminals, granted relative freedom in exchange for carrying out the Inspectors' dirty work. Into this world steps Akane Tsunemori, a young woman with an honest desire to uphold justice. However, as she works alongside veteran Enforcer Shinya Kougami, she soon learns that the Sibyl System's judgments are not as perfect as her fellow Inspectors assume. With everything she has known turned on its head, Akane wrestles with the question of what justice truly is, and whether it can be upheld through the use of a system that may already be corrupt.
