Age: 39
female
Nicola Mary Coughlan is an Irish actress. She is known for her roles as Clare Devlin in the Channel 4 sitcom Derry Girls and Penelope Featherington in the Netflix period drama Bridgerton. She earned a Screen Actors Guild Awards nomination for playing the lead role of Penelope Featherington in the third season of Bridgerton. Coughlan earned a British Academy Television Awards nomination for her role as Maggie Donovan in Big Mood (2024–present). Coughlan was born on 9 January 1987 in Galway, Ireland, and grew up in Oranmore. The youngest of three siblings, her father served in the Irish Army before passing away in 2016, and her mother was a stay-at-home parent. At the age of five, while watching her sister perform in a school play, Coughlan decided she wanted to become an actress. She attended Scoil Mhuire Primary School and Calasanctius College. She graduated with a degree in English and Classical Civilisation from the National University of Ireland, Galway. She then went on to train in England at the Oxford School of Drama and Birmingham School of Acting.
Nicola Coughlan
Iphigenia
for Iphigenia in Psyche and Eros
Suggested by devahutiraichaliha
A prophecy claims that Psyche, princess of Mycenae, will defeat a monster feared even by the gods. Rebelling against her society’s expectations for women, Psyche spends her youth mastering blade and bow, preparing to meet her destiny. But when Psyche angers the love goddess Aphrodite, she sends Eros, god of desire, to deliver a cruel curse. After eons watching humanity twist his gifts, the last thing Eros wants is to become involved in the chaos of the mortal world. But when he pricks himself with the arrow intended for Psyche, Eros finds himself doomed to yearn for a woman who will be torn from him the moment their eyes meet. Thrown together by fate, headstrong Psyche and world-weary Eros will face challenges greater than they could have ever imagined. And as the Trojan War begins and divine powers try to keep them apart, the pair must determine if the curse could become something more . . . before it’s too late.
