Age: 68
male
Hans Florian Zimmer (born 12 September 1957) is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Awards for Best Original Score for The Lion King (1994) and for Dune (2021). His works include Gladiator, The Last Samurai, the Pirates of the Caribbean series, The Dark Knight trilogy, Inception, Man of Steel, Interstellar, Dunkirk, No Time to Die, and the Dune series. Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks Pictures and DreamWorks Animation studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California, has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Christopher Nolan, Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie, Denis Villeneuve, and Tony Scott. Description above from the Wikipedia article Hans Zimmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ryland Grace is the sole survivor on a desperate, last-chance mission—and if he fails, humanity and the earth itself will perish. Except that right now, he doesn’t know that. He can’t even remember his own name, let alone the nature of his assignment or how to complete it. All he knows is that he’s been asleep for a very, very long time. And he’s just been awakened to find himself millions of miles from home, with nothing but two corpses for company. His crewmates dead, his memories fuzzily returning, Ryland realizes that an impossible task now confronts him. Hurtling through space on this tiny ship, it’s up to him to puzzle out an impossible scientific mystery—and conquer an extinction-level threat to our species. And with the clock ticking down and the nearest human being light-years away, he’s got to do it all alone. Or does he?
