
Age: 58
female
Molly Kathleen Ringwald (born February 18, 1968) is an American actress, singer, dancer, and author. She was cast in her first major role as Molly in the NBC sitcom The Facts of Life (1979–80) after a casting director saw her playing an orphan in a stage production of the musical Annie. She and several other members of the original Facts of Life cast were let go when the show was reworked by the network. She subsequently made her motion-picture debut as Miranda in the independent film Tempest (1982), which earned her a Golden Globe nomination for New Star of the Year. Ringwald is primarily known for her collaborations with filmmaker John Hughes. She established herself as a teen icon after appearing in the successful Hughes films Sixteen Candles (1984), The Breakfast Club (1985), and Pretty in Pink (1986). She later starred in The Pick-up Artist (1987), Fresh Horses (1988), and For Keeps (1988). She starred in many films in the 1990s, most notably Something to Live for: The Alison Gertz Story (1992), The Stand (1994), and Some Folks Call It a Sling Blade (1994 short film – precursor to Sling Blade). Ringwald had regular roles on the television series The Secret Life of the American Teenager (2008 - 2013) as Anne Juergens, Riverdale(2017 - 2023) as Mary Andrews, and Feud: Capote vs. The Swans (2024) as Joanne Carson. She is also recognized by younger audiences for her role as Sara Flynn in The Kissing Booth movies. Ringwald was part of the "Brat Pack", and she was ranked number one on VH1's 100 Greatest Teen Stars.

Molly Ringwald

Mrs. Cameron
for Mrs. Cameron in Pride and Prejudice and Pittsburgh
Suggested by vzzzzzzz

Audrey Cameron has lost her spark. But after getting dumped by her first love and waitlisted at her dream art school all in one week, she has no intention of putting her heart on the line again to get it back. So when local curmudgeon Mr. Montgomery walks into her family’s Pittsburgh convenience store saying he can help her, Audrey doesn’t know what she’s expecting…but it’s definitely not that she’ll be transported back to 1812 to become a Regency romance heroine. Lucy Sinclair isn’t expecting to find an oddly dressed girl claiming to be from two hundred years in the future on her family’s estate. But she has to admit it’s a welcome distraction from being courted by a man her father expects her to marry—who offers a future she couldn’t be less interested in. Not that anyone has cared about what or who she’s interested in since her mother died, taking Lucy’s spark with her. While the two girls try to understand what’s happening and how to send Audrey home, their sparks make a comeback in a most unexpected way. Because as they both try over and over to fall for their suitors and the happily-ever-afters everyone expects of them, they find instead they don’t have to try at all to fall for each other. But can a most unexpected love story survive even more impossible circumstances?