Age: 23
female
Olivia Isabel Rodrigo (born February 20, 2003) is an American singer-songwriter and actress. She began her career as a child, appearing in commercials and the direct-to-video film An American Girl: Grace Stirs Up Success (2015). She rose to prominence for her leading roles in the Disney Channel series Bizaardvark (2016–2019) and the Disney+ series High School Musical: The Musical: The Series (2019–2022). Shifting focus onto her recording career, Rodrigo signed with Geffen Records to release her 2021 single "Drivers License", which peaked at number one on the US Billboard Hot 100 for eight consecutive weeks and raised her to international prominence. That same year, she released her debut studio album, Sour, which spawned her second number-one song "Good 4 U" and the similarly successful singles "Deja Vu", "Traitor", and "Brutal". The documentary Olivia Rodrigo: Driving Home 2 U, which chronicles the creative process of Sour, was released the following year. In 2023, Rodrigo released her second studio album, Guts, supported by her third number-one song "Vampire" and the singles "Bad Idea Right?" and "Get Him Back!" Rodrigo has earned three Billboard Hot 100 number-one singles, two US Billboard 200 number-one albums, and eight songs with multi-platinum certifications from the Recording Industry Association of America (RIAA). Her accolades include three Grammy Awards, four MTV Video Music Awards, and seven Billboard Music Awards. She was recognized as Time's Entertainer of the Year in 2021, Billboard's Woman of the Year in 2022, and twice as ASCAP's Pop Music Songwriter of the Year in 2022 and 2024. Description above from the Wikipedia article Olivia Rodrigo, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Marissa Dahl, an up-and-coming film editor with a flair for faux pas, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself. The only problem is, the killer may still be on the loose. And he might not be finished. A wickedly funny exploration of our cultural addiction to tales of murder and mayhem and a thrilling, behind-the-scenes whodunit, Pretty as a Picture is a captivating page-turner from one of the most distinctive voices in crime fiction.
