Age: 41
female
Phoebe Mary Waller-Bridge (born 14 July 1985) is an English actress, screenwriter and producer. As the creator, head writer, and lead star of the comedy series Fleabag (2016–2019), she won various accolades, including three Primetime Emmy Awards, two Golden Globes and a British Academy Television Award. She received further Emmy and Golden Globe nominations for writing and producing the spy thriller series Killing Eve (2018–2022). Waller-Bridge has also created, written, and starred in the comedy series Crashing (2016). She has also acted in the comedy series The Café (2011–2013), in the second season of Broadchurch (2015), and in the films Albert Nobbs (2011), The Iron Lady (2011), Goodbye Christopher Robin (2017), and Solo: A Star Wars Story (2018). She contributed to the screenplay of the James Bond film No Time to Die (2021). She starred in the adventure film Indiana Jones and the Dial of Destiny (2023). Description above from the Wikipedia article Phoebe Waller-Bridge, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Marissa Dahl, an up-and-coming film editor with a flair for faux pas, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself. The only problem is, the killer may still be on the loose. And he might not be finished. A wickedly funny exploration of our cultural addiction to tales of murder and mayhem and a thrilling, behind-the-scenes whodunit, Pretty as a Picture is a captivating page-turner from one of the most distinctive voices in crime fiction.
