Age: 22
male
Jack Dylan Grazer (born September 3, 2003) is an American actor. He began his acting career by playing guest roles in film and on television and had his breakthrough playing the role of Eddie Kaspbrak in the 2017 and 2019 film adaptations of the Stephen King novel It. He also starred on the CBS series Me, Myself, and I, portrayed Freddy Freeman in the 2019 DC Extended Universe film Shazam! and will reprise the role in its 2022 sequel. Grazer had the lead roles of Frazer Wilson in Luca Guadagnino's coming-of-age drama television series We Are Who We Are and Joey in the thriller film Don't Tell a Soul, both in 2020. He voiced Alberto in the 2021 Pixar film Luca and voiced Barney in the 2021 20th Century Studios film Ron's Gone Wrong. In 2018, The Hollywood Reporter named him one of the top 30 stars under age 18. Description above from the Wikipedia article Jack Dylan Grazer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Marissa Dahl, an up-and-coming film editor with a flair for faux pas, travels to a small island off the coast of Delaware to work with the legendary--and legendarily demanding--director Tony Rees on a feature film with a familiar logline. Some girl dies. It's not much to go on, but the specifics don't concern Marissa. Whatever the script is, her job is the same. She'll spend her days in the editing room, doing what she does best: turning pictures into stories. But she soon discovers that on this set, nothing is as it's supposed to be--or as it seems. There are rumors of accidents and indiscretions, of burgeoning scandals and perilous schemes. Half the crew has been fired. The other half wants to quit. Even the actors have figured out something is wrong. And no one seems to know what happened to the editor she was hired to replace. Then she meets the intrepid and incorrigible teenage girls who are determined to solve the real-life murder that is the movie's central subject, and before long, Marissa is drawn into the investigation herself. The only problem is, the killer may still be on the loose. And he might not be finished. A wickedly funny exploration of our cultural addiction to tales of murder and mayhem and a thrilling, behind-the-scenes whodunit, Pretty as a Picture is a captivating page-turner from one of the most distinctive voices in crime fiction.
