Age: 42
female
America Georgina Ferrera (/fəˈrɛərə/; born April 18, 1984) is an American actress, director and television producer. She has received numerous accolades, including a Primetime Emmy Award, a Golden Globe Award, and a Screen Actors Guild Award, in addition to a nomination for an Academy Award. In 2007 and 2024, Time named her one of the 100 most influential people in the world and in 2023, she was named in BBC's 100 Women list. Ferrera developed an interest in acting at a young age, performing in several stage productions at her school. She made her feature film debut in 2002 with the comedy-drama Real Women Have Curves, earning praise for her performance. She achieved modest success early in her career with roles in films such as the comedy-dramas Gotta Kick It Up! (2002) and The Sisterhood of the Travelling Pants (2005). She garnered further critical acclaim and recognition for her starring role as Betty Suarez in the ABC comedy-drama series Ugly Betty (2006–2010). For her performance, she won a Golden Globe Award, a Screen Actors Guild Award, and a Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series, the first for a Latina woman in the category. Ferrera's other film roles include the drama The Dry Land (2010), the romantic comedy Our Family Wedding (2010), the crime drama End of Watch (2012), and the fantasy comedy Barbie (2023), which earned her a nomination for the Academy Award for Best Supporting Actress. She also voiced Astrid Hofferson in the How to Train Your Dragon franchise (2010–2019) and co-produced and starred in the NBC workplace comedy series Superstore (2015–2021). Description above from the Wikipedia article America Ferrera, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered. Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
