Age: 40
female
Gemma Christina Arterton (born 2 February 1986) is an English actress and producer. After her stage debut in Shakespeare's Love's Labour's Lost at the Globe Theatre (2007), Arterton made her feature film debut in the comedy St Trinian's (2007). She portrayed Bond Girl Strawberry Fields in the James Bond film Quantum of Solace (2008), a performance which won her an Empire Award for Best Newcomer. Arterton has since appeared in a number of films, including The Disappearance of Alice Creed (2009), Tamara Drewe (2010), Clash of the Titans (2010), Prince of Persia: The Sands of Time (2010), Hansel & Gretel: Witch Hunters (2013), Their Finest (2016), The Escape (2017), and Vita and Virginia (2018). She received the Harper's Bazaar Woman of the Year Award for acting in and producing The Escape. Her theatrical highlights have included starring in The Duchess of Malfi (2014), Made in Dagenham (2014), Nell Gwynn (2016) and Saint Joan (2017). Arterton was nominated for Olivier Awards for her work on both Nell Gwynn and Made in Dagenham, and she won the Evening Standard Theatre Award for the latter. Since 2016, Arterton has run her own production company, Rebel Park Productions, which focuses on creating female-led content in front of and behind the camera. She has executive-produced four feature films and two short films. She is also on record as being a supporter of the Time's Up, ERA 50:50 and MeToo movements. Arterton played an integral role in persuading actresses to wear black at the 2018 BAFTAs in support of Time'sUp, and has been involved with ERA 50:50, an equal pay campaign in the UK, since its inception.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered. Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
