Age: 57
male
Paul Stephen Rudd (born April 6, 1969) is an American actor. Rudd studied theatre at the University of Kansas and the American Academy of Dramatic Arts before making his acting debut in 1991. He was included on the Forbes Celebrity 100 list in 2019 and was named People magazine's "Sexiest Man Alive" in 2021. The accolades he has received include a Critics' Choice Television Award, as well as nominations for a Golden Globe Award, two Primetime Emmy Awards, and two Screen Actors Guild Awards. Rudd appeared in the films Clueless (1995), Halloween: The Curse of Michael Myers (1995), Romeo + Juliet (1996), Wet Hot American Summer (2001), Anchorman: The Legend of Ron Burgundy (2004), The 40-Year-Old Virgin (2005), Knocked Up (2007), I Love You, Man (2009), and This Is 40 (2012). He has played the superhero Scott Lang / Ant-Man in five Marvel Cinematic Universe (MCU) films, from Ant-Man (2015) to Ant-Man and the Wasp: Quantumania (2023). He played Gary Grooberson in the Ghostbusters films Afterlife (2021) and Frozen Empire (2024). Rudd has also appeared in numerous television shows, including the sitcom Friends (2002–2004) as Mike Hannigan, and has featured as a guest host of Saturday Night Live multiple times. He had a dual role in the comedy series Living with Yourself (2019), which earned him a nomination for the Golden Globe Award for Best Actor – Television Series Musical or Comedy. He starred in the miniseries The Shrink Next Door (2021). He featured in the Hulu comedy series Only Murders in the Building (2023–2024), which earned him a nomination for the Primetime Emmy Award for Outstanding Supporting Actor in a Comedy Series. Description above from the Wikipedia article Paul Rudd, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lee Fiora is an intelligent, observant fourteen-year-old when her father drops her off in front of her dorm at the prestigious Ault School in Massachusetts. She leaves her animated, affectionate family in South Bend, Indiana, at least in part because of the boarding school’s glossy brochure, in which boys in sweaters chat in front of old brick buildings, girls in kilts hold lacrosse sticks on pristinely mown athletic fields, and everyone sings hymns in chapel. As Lee soon learns, Ault is a cloistered world of jaded, attractive teenagers who spend summers on Nantucket and speak in their own clever shorthand. Both intimidated and fascinated by her classmates, Lee becomes a shrewd observer of–and, ultimately, a participant in–their rituals and mores. As a scholarship student, she constantly feels like an outsider and is both drawn to and repelled by other loners. By the time she’s a senior, Lee has created a hard-won place for herself at Ault. But when her behavior takes a self-destructive and highly public turn, her carefully crafted identity within the community is shattered. Ultimately, Lee’s experiences–complicated relationships with teachers; intense friendships with other girls; an all-consuming preoccupation with a classmate who is less than a boyfriend and more than a crush; conflicts with her parents, from whom Lee feels increasingly distant, coalesce into a singular portrait of the painful and thrilling adolescence universal to us all.
