Age: 61
female
Monica Anna Maria Bellucci (Italian: [ˈmɔːnika belˈluttʃi]; born 30 September 1964) is an Italian actress and model. She began her career as a fashion model, modelling for Dolce & Gabbana and Dior, before making a transition to Italian films and later American and French films. Bellucci played a Bride of Dracula in Francis Ford Coppola's gothic horror romance film Bram Stoker's Dracula (1992) and Malèna Scordia in the Italian-language romantic drama Malèna (2000). She was in the controversial Gaspar Noé arthouse thriller film Irréversible (2002), and portrayed Mary Magdalene in Mel Gibson's biblical drama The Passion of the Christ (2004). In the 2003 science-fiction films The Matrix Reloaded and The Matrix Revolutions, she played Persephone. In the 2015 James Bond film Spectre, she became the oldest Bond girl in the history of the franchise. Description above from the Wikipedia article Monica Bellucci, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The show revolves around the adventures of three kindergarten aged girls with superpowers: Blossom (pink), Bubbles (blue), and Buttercup (green). The plot of an episode is usually some humorous variation of standard superhero and tokusatsu shows, with the girls using their powers to defend their town from villains and giant monsters. In addition, the girls have to deal with the normal issues that young children face, such as sibling rivalries, loose teeth, personal hygiene, going to school, bed wetting, or dependence on a security blanket. Episodes often contain hidden references to older pop culture (especially noticeable in the episode "Meet the Beat Alls," which is an homage to the Beatles). The cartoon always tries to keep different ideas within each episode with some small tributes and parodies thrown in. The show is set mainly in the city of Townsville, USA. Townsville is depicted as a major American city, with a cityscape consisting of several major skyscrapers. In his review of The Powerpuff Girls Movie, movie critic Bob Longino of The Atlanta Journal-Constitution said, "the intricate drawings emanate 1950s futuristic pizzazz like a David Hockney scenescape," and that the show is "one of the few American creations that is both gleeful pop culture and exquisite high art."
