Age: 48
male
Daniel Pemberton (born 3 November 1977) is an English composer and songwriter. Primarily working in film, television, and video games, he is best known for composing the scores for the film Spider-Man: Into the Spider-Verse and its sequel Spider-Man: Across the Spider-Verse, the latter of which earned him several award nominations, including at the Golden Globes and the Critics' Choice Awards. He has also received recognition for his work in films such as Steve Jobs, Motherless Brooklyn, The Trial of the Chicago 7, Being the Ricardos, The Rescue, and the LittleBigPlanet series of games. For The Trial of the Chicago 7, Pemberton was nominated for the Ivor Novello Award for Best Original Film Score and Academy Award for Best Original Song alongside Celeste for the song "Hear My Voice". Description above from the Wikipedia article Daniel Pemberton, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The show revolves around the adventures of three kindergarten aged girls with superpowers: Blossom (pink), Bubbles (blue), and Buttercup (green). The plot of an episode is usually some humorous variation of standard superhero and tokusatsu shows, with the girls using their powers to defend their town from villains and giant monsters. In addition, the girls have to deal with the normal issues that young children face, such as sibling rivalries, loose teeth, personal hygiene, going to school, bed wetting, or dependence on a security blanket. Episodes often contain hidden references to older pop culture (especially noticeable in the episode "Meet the Beat Alls," which is an homage to the Beatles). The cartoon always tries to keep different ideas within each episode with some small tributes and parodies thrown in. The show is set mainly in the city of Townsville, USA. Townsville is depicted as a major American city, with a cityscape consisting of several major skyscrapers. In his review of The Powerpuff Girls Movie, movie critic Bob Longino of The Atlanta Journal-Constitution said, "the intricate drawings emanate 1950s futuristic pizzazz like a David Hockney scenescape," and that the show is "one of the few American creations that is both gleeful pop culture and exquisite high art."
