Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
She is the very thing he’s spent his whole life hunting. He is the very thing she’s spent her whole life pretending to be. Only the extraordinary belong in the kingdom of Ilya—the exceptional, the empowered, the Elites. The powers these Elites have possessed for decades were graciously gifted to them by the Plague, though not all were fortunate enough to both survive the sickness and reap the reward. Those born Ordinary are just that—ordinary. And when the king decreed that all Ordinaries be banished in order to preserve his Elite society, lacking an ability suddenly became a crime—making Paedyn Gray a felon by fate and a thief by necessity. Surviving in the slums as an Ordinary is no simple task, and Paedyn knows this better than most. Having been trained by her father to be overly observant since she was a child, Paedyn poses as a Psychic in the crowded city, blending in with the Elites as best she can in order to stay alive and out of trouble. Easier said than done. When Paeydn unsuspectingly saves one of Ilyas princes, she finds herself thrown into the Purging Trials. The brutal competition exists to showcase the Elites’ powers—the very thing Paedyn lacks. If the Trials and the opponents within them don’t kill her, the prince she’s fighting feelings for certainly will if he discovers what she is—completely Ordinary.
