
Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Ana de Armas

Kimberly Hart
for Kimberly Hart in Power Rangers Hexagon (The Epic Trilogy That Concludes The Power Rangers Saga)
Suggested by dantesgrid

Concept of the film: “Hexagon was Amit Bhaumik's original plan for the 11th season of Power Rangers.” “Hexagon features two factions of Rangers, Tommy Oliver’s Hexagon, a government style organization of united Rangers, and Jason Lee Scott’s (Thunder) Beetle Rangers that were to operate outside this network of superhero teams and oppose the united structure of the Hexagon. The main conflict of the season would be derived from a “Which side are you on?” between the three Hexagon (Wind) Rangers and the three (Thunder) Beetle Rangers.” Rangers from past seasons would eventually find themselves choosing one side of the conflict over the other, making themselves available to assist one group but unavailable to the other. “So… Which side are you on?” The trilogy consists of films thirty, thirty one, and thirty two of my vision of a Power Rangers Cinematic Universe, and gives the second phase of this cinematic universe a satisfactory conclusion. The thirtieth film focuses on establishing this concept and the many characters. The thirty-first film focuses on the conflict between the Wild Force Rangers and the Hexagon/Ninja Storm Rangers, while still dealing with the issues that some teams have with Hexagon. Tommy and Jason finally talk face to face here. The thirty second film and the last one in the trilogy focuses on the conclusion of this trilogy, with all the Rangers fighting Tommy to help him see the error in his ways and ending Hexagon once and for all.