Age: 54
female
Carla Gugino (/ɡʊˈdʒiːnoʊ/ guu-JEE-noh; born August 29, 1971) is an American actress. After early roles in the films Troop Beverly Hills (1989), This Boy's Life (1993), Son in Law (1993), and Snake Eyes (1998), Gugino received wider recognition for her starring roles in the Spy Kidstrilogy (2001–2003), Sin City (2005), Night at the Museum (2006), American Gangster (2007), Righteous Kill (2008), Race to Witch Mountain (2009), Sally Jupiter in Watchmen (2009), Sucker Punch (2011), Mr. Popper's Penguins (2011), San Andreas (2015), Gerald's Game (2017), Gunpowder Milkshake (2021), and Lisa Frankenstein (2024). Gugino also starred in the crime drama series Karen Sisco (2003), the science fiction series Threshold (2005–2006), the crime drama series Jett (2019), and the supernatural horror miniseries The Haunting of Hill House (2018), The Haunting of Bly Manor (2020), and The Fall of the House of Usher (2023). Description above from the Wikipedia article Carla Gugino, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parent’s messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped Alex of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house. After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house flipping content. Only, as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims. As memories resurface and Clio finally reads her mother’s book, the presence in the house becomes more real, and more sinister, revealing ugly truths that threaten to shake Clio’s beautiful life to its very foundation.
