Age: 63
male
David Wheeler (born March 20, 1963), better known as David Thewlis, is an English actor and filmmaker. He is known as a character actor and has appeared in a wide variety of genres in both film and television. He has received the Cannes Film Festival Award for Best Actor and nominations for two BAFTA Awards, Golden Globe Award, Primetime Emmy Award and a Screen Actors Guild Award. Thewlis made his film debut in Little Dorrit (1987) and acted in the Mike Leigh films Life is Sweet (1990) and Naked (1993), winning the Cannes Film Festival Award for Best Actor for the latter. He then appeared in films such as Black Beauty (1994), Restoration (1995), James and the Giant Peach (1996), Dragonheart (1996), and Seven Years in Tibet (1997). He became more widely known to film audiences for his roles as Remus Lupin in the Harry Potter franchise (2004–2011) and Ares / Sir Patrick Morgan in Wonder Woman (2017). Other film roles include Kingdom of Heaven (2005), The Boy in the Striped Pyjamas (2008), War Horse (2011), The Theory of Everything (2014), Anomalisa (2015), I'm Thinking of Ending Things (2020), and Enola Holmes 2 (2022). Thewlis' most notable television roles include V. M. Varga in the third season of FX's Fargo (2017), the voice of the Shame Wizard in the Netflix animated sitcoms Big Mouth (2017–present) and Human Resources (2022–present), Christopher Edwards in the HBO miniseries Landscapers (2021), and John Dee in the Netflix drama series The Sandman (2022). His performance in Fargo earned him nominations for an Emmy, a Golden Globe, and a Critics' Choice Award.
David Thewlis
Inspector Japp
for Inspector Japp in Peril at End House
Suggested by devahutiraichaliha
Hercule Poirot is vacationing on the Cornish coast when he meets Nick Buckley. Nick is the young and reckless mistress of End House, an imposing structure perched on the rocky cliffs of St. Loo. Poirot quickly takes a particular interest in the young woman. She has recently narrowly escaped a series of life-threatening accidents. Something tells the Belgian sleuth that these so-called accidents are more than just mere coincidences or a spate of bad luck. Something like a bullet! It seems all too clear to him that someone is trying to do away with poor Nick, but who? And, what is the motive? In his quest for answers, Poirot must delve into the dark history of End House. The deeper he gets into his investigation, the more certain he is that the killer will soon strike again. And, this time, Nick may not escape with her life.
