
Age: 55
male
Nikolaj William Coster-Waldau (born 27 July 1970) is a Danish actor and producer. He graduated from the Danish National School of Performing Arts in Copenhagen in 1993, and had his breakthrough role in Denmark with the film Nightwatch (1994). He played Jaime Lannister in the HBO fantasy drama series Game of Thrones, for which he received two Primetime Emmy Award nominations for Outstanding Supporting Actor in a Drama Series. Coster-Waldau has appeared in numerous films in his native Denmark and Scandinavia, including Headhunters (2011) and A Thousand Times Good Night (2013). In the U.S, his debut film role was in the war film Black Hawk Down (2001), playing Medal of Honor recipient Gary Gordon. He then played a detective in the short-lived Fox television series New Amsterdam (2008), and appeared in the 2009 Fox television film Virtuality, originally intended as a pilot. He is a UNDP Goodwill Ambassador, drawing public attention to issues such as gender equality and climate change.

It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman. William H. Parker is a captain on the Los Angeles Police Department. He's superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish émigré, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls - comrades, rivals, lovers, history's pawns. Perfidia is a novel of astonishments. It is World War II as you have never seen it, and Los Angeles as James Ellroy has never written it before. Here, he gives us the party at the edge of the abyss and the precipice of America's ascendance. Perfidia is that moment, spellbindingly captured. It beckons us to solve a great crime that, in its turn, explicates the crime of war itself. It is a great American novel.






