Age: 31
male
Nathaniel Marvin Wolff is an American actor and musician. He gained recognition for composing the music for The Naked Brothers Band (2007–2009), a Nickelodeon television series he starred in with his younger brother, Alex, that was created by their actress mother, Polly Draper. Wolff's jazz pianist father, Michael Wolff, coproduced the series' soundtrack albums, The Naked Brothers Band (2007) and I Don't Want to Go to School (2008), both of which ranked the 23rd spot on the Top 200 Billboard Charts. Following the ending of the Nickelodeon series, Wolff and his brother formed the music duo Nat & Alex Wolff, and they released the album Black Sheep in 2011. He later became known for his lead role in the film Paper Towns (2015), and other films such as Admission, Behaving Badly, and Palo Alto, each of which premiered in 2013. Wolff also co-starred in the highly successful theatrical film, The Fault in Our Stars (2014) before portraying Ed in the film Ashby in 2015. He portrayed Light Turner in the Netflix adaptation of Death Note (2017).
It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman. William H. Parker is a captain on the Los Angeles Police Department. He's superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish émigré, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls - comrades, rivals, lovers, history's pawns. Perfidia is a novel of astonishments. It is World War II as you have never seen it, and Los Angeles as James Ellroy has never written it before. Here, he gives us the party at the edge of the abyss and the precipice of America's ascendance. Perfidia is that moment, spellbindingly captured. It beckons us to solve a great crime that, in its turn, explicates the crime of war itself. It is a great American novel.
