Age: 56
male
Simon John Pegg (né Beckingham; 14 February 1970) is an English actor, comedian and screenwriter. He came to prominence in the UK as the co-creator of the Channel 4 sitcom Spaced (1999–2001), directed by Edgar Wright. He and Wright co-wrote the films Shaun of the Dead (2004), Hot Fuzz (2007), and The World's End (2013), known collectively as the Three Flavours Cornetto trilogy, all of which saw Wright directing and Pegg starring alongside Nick Frost. Pegg and Frost also wrote and starred in the sci-fi comedy film Paul (2011). Pegg is one of the few performers to have achieved what Radio Times calls the "Holy Grail of Nerd-dom", having played popular supporting characters in Doctor Who (2005), Star Trek as Montgomery "Scotty" Scott (2009–2016), and Star Wars: The Force Awakens (2015). He stars as Benji Dunn in the Mission: Impossible film series (2006–present). He provided the voice of Buck in Ice Age: Dawn of the Dinosaurs (2009), Ice Age: Collision Course(2016), and The Ice Age Adventures of Buck Wild (2022).
It is December 6, 1941. America stands at the brink of World War II. Last hopes for peace are shattered when Japanese squadrons bomb Pearl Harbor. Los Angeles has been a haven for loyal Japanese-Americans - but now, war fever and race hate grip the city and the Japanese internment begins. The hellish murder of a Japanese family summons three men and one woman. William H. Parker is a captain on the Los Angeles Police Department. He's superbly gifted, corrosively ambitious, liquored-up, and consumed by dubious ideology. He is bitterly at odds with Sergeant Dudley Smith - Irish émigré, ex-IRA killer, fledgling war profiteer. Hideo Ashida is a police chemist and the only Japanese on the L.A. cop payroll. Kay Lake is a twenty-one-year-old dilettante looking for adventure. The investigation throws them together and rips them apart. The crime becomes a political storm center that brilliantly illuminates these four driven souls - comrades, rivals, lovers, history's pawns. Perfidia is a novel of astonishments. It is World War II as you have never seen it, and Los Angeles as James Ellroy has never written it before. Here, he gives us the party at the edge of the abyss and the precipice of America's ascendance. Perfidia is that moment, spellbindingly captured. It beckons us to solve a great crime that, in its turn, explicates the crime of war itself. It is a great American novel.
