Age: 26
female
Bailee Madison Riley (born October 15, 1999) is an American actress and singer. She first gained acclaim for her role as May Belle Aarons in the fantasy drama film Bridge to Terabithia (2007). Madison received further recognition for her starring roles as Isabelle in the war drama film Brothers (2009), Sally Hurst in the horror film Don't Be Afraid of the Dark (2010), Maggie in the romantic comedy film Just Go with It (2011), Harper Simmons in the comedy film Parental Guidance (2012), Ida Clayton in the family film Cowgirls 'n Angels (2012), Clementine in the fantasy film Northpole (2014), Kinsey in the slasher film The Strangers: Prey at Night (2018), and Avery in the Netflix film A Week Away (2021). On television, she appeared as Maxine Russo in the fantasy sitcom Wizards of Waverly Place (2011), young Snow White in the fantasy drama series Once Upon a Time (2012–2016), Hillary Harrison in the sitcom Trophy Wife (2013–2014), and Sophia Quinn in the drama series The Fosters (2014–2016). From 2015 to 2021, Madison starred as Grace Russell in the Hallmark Channel comedy-drama series Good Witch. In 2022, she began her role as Imogen Adams in the horror thriller series Pretty Little Liars: Original Sin, a spinoff of Pretty Little Liars.
Bailee Madison
Lilah-Mae
for Lilah-Mae in Patricia Wants to Cuddle
Suggested by dianelawlor
When the final four women in competition for an aloof, if somewhat sleazy, bachelor's heart arrive on a mysterious island in the Pacific Northwest, they mentally prepare themselves for another week of extreme sleep deprivation, invasive interviews, and of course, the salacious drama that viewers nationwide tune in to eagerly devour. Each woman came on 'The Catch' for her own reasons—brand sponsorships, followers, and yes, even love—and they've all got their eyes steadfastly trained on their respective prizes. Enter Patricia, a temperamental, but woefully misunderstood local, living alone in the dark, verdant woods and desperate to forge a connection of her own. As the contestants perform for the cameras that surround them, Patricia watches from her place in the shadows, a queer specter haunting the bombastic display of heterosexuality before her. But when the cast and crew at last make her acquaintance atop the island's tallest and most desolate peak, they soon realize that if they're to have any hope of making it to the next Elimination Event, they'll first have to survive the night. A whirlwind romp careening toward a last-girl-standing conclusion and a scathing indictment of contemporary American media culture, Patricia Wants to Cuddle is also a love story: between star-crossed lesbians who rise above their intolerant town, a deeply ambivalent woman and her budding self-actualization, and a chosen family of misfit islanders forging community against all odds.
