Age: 36
female
Jessie Buckley (born 28 December 1989) is an Irish actress and singer. Her accolades include Best Actress at the Oscar Academy Awards 2026 (becoming the first Irish woman to win it), a British Academy Film Award, an Actor Award, a Golden Globe Award, and a Scottish BAFTA, in addition to nominations for two Academy Awards. Buckley began her career in 2008 as a contestant on the BBC talent show I'd Do Anything, in which she came second. A RADA graduate, her early onscreen appearances were in BBC television series such as War & Peace (2016) and Taboo (2017). Buckley made her film debut with the lead role in Beast (2017), followed by her breakout role as an aspiring country music singer in the musical film Wild Rose (2018); the latter earned her a nomination for the BAFTA Award for Best Actress in a Leading Role. Buckley's career progressed with starring roles in films such as I'm Thinking of Ending Things (2020), Men (2022), Women Talking (2022) and Wicked Little Letters (2023). For her performance as a troubled mother in the psychological drama The Lost Daughter (2021), she received nominations for the BAFTA Award for Best Actress in a Supporting Role and the Academy Award for Best Supporting Actress. She gained further recognition for her portrayal of Agnes Shakespeare in the period drama Hamnet (2025), receiving a Golden Globe, a BAFTA Award, an Actor Award and an Academy Award for Best Actress. On television, Buckley has starred in the HBO miniseries Chernobyl (2019) and season four of Fargo (2020). On stage, Buckley's portrayal of Sally Bowles in a 2021 West End theatre revival of Cabaret won her the Laurence Olivier Award for Best Actress in a Musical. In 2022, she released the collaborative album For All Our Days That Tear the Heart with Bernard Butler, which was shortlisted for the 2022 Mercury Prize. Description above from the Wikipedia article Jessie Buckley, licensed under CC-BY-SA, full list of contributors on Wikipedia.
When investigative journalist Miles Upshur breaks into the abandoned and notoriously corrupt Mount Massive Asylum, he expects to uncover a corporate cover-up. Instead, he discovers a nightmare. Inside, the patients have overrun the facility. A religious fanatic believes Miles is a chosen prophet. A sadistic surgeon wants him on the table. Something supernatural hunts through the halls. Security forces have been slaughtered. And deep beneath the asylum, a deadly experiment known as The Morphogenic Engine has unleashed a sentient nanite entity called The Walrider. As Miles fights to survive, he encounters another reporter — Blake Langermann, who snuck into the asylum searching for evidence against the Murkoff Corporation. When the two journalists cross paths in the chaos, they uncover the horrifying truth: Mount Massive isn’t a hospital. It’s a testing ground. Their cameras become their only weapons. Their footage becomes the only truth. Their choices decide who escapes — and who becomes part of the experiment. And in the end, the asylum won’t let them leave unchanged.
