Age: 52
female
Franka Potente is a German film actress and singer. She was born on July 22, 1974 in Münster North Rhine-Westphalia and raised in nearby Dülmen. She first appeared in the comedy After Five in the Forest Primeval (1995) and gained critical recognition in the action thriller Lola rennt (released in English as Run Lola Run) (1998). Potente received Germany's highest film and television awards for her performances in Run Lola Run and Opernball. After half a decade of critically acclaimed roles in German films, Potente gained Hollywood's attention by playing the role of Barbara Buckley in Blow (2001) and the female lead with Matt Damon in The Bourne Identity (2002). In 2006, she starred with Eric Bana in the Australian film Romulus, My Father, for which she was nominated for an Australian Film Industry Award for Best Lead Actress. Also in 2006, she wrote and directed Der die Tollkirsche ausgräbt, a silent comedy. She has also appeared in several American television series including, The Shield in 2007, House M.D. in 2009 and Psych in 2010. As of 2011, she played Hilda in a BBC drama The Sinking of the Laconia. When not working on location, Potente lives in Berlin.
Franka Potente
Dr. Amelia Strauss
for Dr. Amelia Strauss in OUTLAST
Suggested by lllaryn34
When investigative journalist Miles Upshur breaks into the abandoned and notoriously corrupt Mount Massive Asylum, he expects to uncover a corporate cover-up. Instead, he discovers a nightmare. Inside, the patients have overrun the facility. A religious fanatic believes Miles is a chosen prophet. A sadistic surgeon wants him on the table. Something supernatural hunts through the halls. Security forces have been slaughtered. And deep beneath the asylum, a deadly experiment known as The Morphogenic Engine has unleashed a sentient nanite entity called The Walrider. As Miles fights to survive, he encounters another reporter — Blake Langermann, who snuck into the asylum searching for evidence against the Murkoff Corporation. When the two journalists cross paths in the chaos, they uncover the horrifying truth: Mount Massive isn’t a hospital. It’s a testing ground. Their cameras become their only weapons. Their footage becomes the only truth. Their choices decide who escapes — and who becomes part of the experiment. And in the end, the asylum won’t let them leave unchanged.
