Died at 80
female
Diane Hall Keaton (born Diane Hall; January 5, 1946 – October 11, 2025) was an American actress, director and producer. Known for her idiosyncratic personality and fashion style, she received various accolades throughout her career spanning over six decades, including an Academy Award, a British Academy Film Award, two Golden Globe Awards, and the AFI Life Achievement Award. Keaton began her career on stage appearing in the original 1968 Broadway production of the musical Hair. The next year, she received a Tony Award for Best Featured Actress in a Play nomination for her performance in Woody Allen's comic play Play it Again, Sam. She then made her screen debut in a small role in Lovers and Other Strangers (1970). She rose to prominence with her first major film role as Kay Adams-Corleone in Francis Ford Coppola's The Godfather (1972), a role she reprised in its sequels The Godfather Part II (1974) and The Godfather Part III (1990). The films that most shaped her career were those with director and co-star Woody Allen, beginning with the film adaptation of Play It Again, Sam (1972). Her next two films with Allen, Sleeper (1973) and Love and Death (1975), established her as a comic actor. Her fourth, the romantic comedy Annie Hall (1977), won her the Academy Award for Best Actress. To avoid being typecast as her Annie Hall persona, she appeared in several dramatic films, starring in Looking for Mr. Goodbar (1977) and Allen's Interiors (1978), and received three more Academy Award nominations for playing feminist activist Louise Bryant in Reds (1981), a woman with leukemia in Marvin's Room (1996), and a dramatist in Something's Gotta Give (2003). Her other popular films include Manhattan (1979), Baby Boom (1987), Father of the Bride (1991), Manhattan Murder Mystery (1993), Father of the Bride Part II (1995), The First Wives Club (1996), The Family Stone (2005), Morning Glory (2010), Finding Dory (2016) and Book Club (2018).
When Wren realizes her fiancé is in love with someone else, she thinks her heart will never recover. On the other side of the world, Anders lost his wife four years ago and is still struggling to move on. Wren hopes that spending the summer with her dad and step-family on their farm in Indiana will help her to heal. There, amid the cornfields and fireflies, she and Anders cross paths and their worlds are turned upside-down again. But Wren doesn't know that Anders is harboring a secret, and if he acts on any feelings he has for Wren it will have serious fall-out for everyone. Walking away would hurt Wren more than she can imagine. But, knowing the truth, how can she possibly stay?
