Age: 90
female
Dame Julia Elizabeth Andrews, DBE (born Julia Elizabeth Wells; 1 October 1935) is a British film and stage actress, singer, and author. She is the recipient of Golden Globe, Emmy, Grammy, BAFTA, People's Choice Award, Theatre World Award, Screen Actors Guild and Academy Award honours. Andrews was a former British child actress and singer who made her Broadway debut in 1954 with The Boy Friend, and rose to prominence starring in other musicals such as My Fair Lady and Camelot, and in musical films such as Mary Poppins (1964), for which she won the Academy Award for Best Actress, and The Sound of Music (1965): the roles for which she is still best-known. Her voice, which originally spanned four octaves, was damaged by a throat operation in 1997. Andrews had a revival of her film career in 2000s in family films such as The Princess Diaries (2001), its sequel The Princess Diaries 2: Royal Engagement (2004), the Shrek animated films (2004–2010), and Despicable Me (2010). In 2003 Andrews revisited her first Broadway success, this time as a stage director, with a revival of The Boy Friend at the Bay Street Theatre, Sag Harbor, New York (and later at the Goodspeed Opera House, in East Haddam, Connecticut in 2005). Andrews is also an author of children's books, and in 2008 published an autobiography, Home: A Memoir of My Early Years.
With the sweeping romance of Passenger and the dark fantasy edge of This Savage Song, this standout YA contemporary fantasy debut from Vanessa Len, is the first in a planned trilogy. It should have been the perfect summer. Sent to stay with her late mother’s eccentric family in London, sixteen-year-old Joan is determined to enjoy herself. She loves her nerdy job at the historic Holland House, and when her super cute co-worker Nick asks her on a date, it feels like everything is falling into place. But she soon learns the truth. Her family aren’t just eccentric: they’re monsters, with terrifying, hidden powers. And Nick isn’t just a cute boy: he’s a legendary monster slayer, who will do anything to bring them down. As she battles Nick, Joan is forced to work with the beautiful and ruthless Aaron Oliver, heir to a monster family that hates her own. She’ll have to embrace her own monstrousness if she is to save herself, and her family. Because in this story . . . . . . she is not the hero.
