
Age: 56
male
Matthew Lyn Lillard (born January 24, 1970) is an American actor, director, and producer. His early film roles include the black comedy Serial Mom (1994) and the crime thriller Hackers (1995). He achieved a career breakthrough for his portrayal of Stu Macher in the slasher film Scream (1996), which bolstered Lillard into the mainstream as a scream king. Afterwards, he starred in prominent roles in SLC Punk! (1998), She's All That (1999), Thirteen Ghosts (2001), and Without a Paddle (2004). He portrayed Norville "Shaggy" Rogers in the live-action movies Scooby-Doo (2002) and Scooby-Doo 2: Monsters Unleashed (2004), and then later voiced the character in several animated releases, serving as the voice of Shaggy since Casey Kasem retired from the role in 2009. Starting in the 2010s, Lillard was more frequently cast in dramatic roles, in films such as The Descendants (2011), Trouble with the Curve (2012), Match (2014), and Twin Peaks: The Return (2017). He also starred in the NBC series Good Girls (2018–2021). Lillard gained renewed recognition for playing William Afton in the horror film Five Nights at Freddy's (2023); that same year, The Hollywood Reporter praised his return to mainstream popular culture. He has since starred in the fantasy drama film The Life of Chuck (2025). Description above from the Wikipedia article Matthew Lillard, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Matthew Lillard

Shaggy Rogers
for Shaggy Rogers in Once Upon a Time... in Pixar
Suggested by kalebthehedgehog25

Beyond the worlds of Toy Story, Monsters, Inc., A Bug's Life, and The Incredibles, the characters in these stories are more than just fictional creations—they are animated actors, brought to life through advanced scientific machines powered by emotion and imagination. These beings exist solely to perform in movies, with each new film generating a unique cast of characters, along with duplicate copies for production purposes. However, when they go through their existential crises, they discover the movie studio no longer has any use for them or their duplicates, and they are dismissed by Hollywood elites like the Oscars, who belittle animation and refuse to give them awards. The animated characters decide it's time to revolt!