
Age: 68
male
Steven Vincent Buscemi (born December 13, 1957) is an American actor. His early credits consist of significant roles in independent film productions such as Parting Glances (1986), Mystery Train (1989), In the Soup (1992), and his breakout role as Mr. Pink in Quentin Tarantino's Reservoir Dogs (1992). Buscemi has appeared in both independent and mainstream films, including Living in Oblivion (1995), Desperado (1995), Con Air (1997), Armageddon (1998), Ghost World (2001), Big Fish (2003), and The Death of Stalin (2017). Buscemi has often collaborated with the Coen brothers, appearing in Miller's Crossing (1990), Fargo (1996), and The Big Lebowski (1998). He also appeared in supporting or cameo roles in many films with Adam Sandler, including Airheads (1994), Billy Madison (1995), The Wedding Singer (1998), Mr. Deeds (2002), and Hubie Halloween (2020). He provided voice acting roles in the animated films Monsters, Inc. (2001), The Boss Baby (2017), and Transformers One (2024). Buscemi also directed the films Trees Lounge (1996), Animal Factory (2000), and Interview (2007). Buscemi has also had an extensive career in television, notably starring in the lead role of Enoch "Nucky" Thompson in the HBO series Boardwalk Empire (2010–2014). His performance earned him two Screen Actors Guild Awards, a Golden Globe and two nominations for a Primetime Emmy Award. His other television roles include Lonesome Dove (1989), The Sopranos (2004, 2006), 30 Rock (2007–2013), Horace and Pete (2016), and Miracle Workers (2019–2023).

Steve Buscemi

Randall Boggs
for Randall Boggs in Once Upon a Time... in Pixar
Suggested by tomzillawash3r3

Beyond the worlds of Toy Story, Monsters, Inc., A Bug's Life, and The Incredibles, the characters in these stories are more than just fictional creations—they are animated actors, brought to life through advanced scientific machines powered by emotion and imagination. These beings exist solely to perform in movies, with each new film generating a unique cast of characters, along with duplicate copies for production purposes. However, when they go through their existential crises, they discover the movie studio no longer has any use for them or their duplicates, and they are dismissed by Hollywood elites like the Oscars, who belittle animation and refuse to give them awards. The animated characters decide it's time to revolt!