
Age: 40
female
Anna Cooke Kendrick (born August 9, 1985) is an American actress. Known for playing upbeat and endearing characters in comedies and musicals, her accolades include nominations for an Academy Award, a Primetime Emmy Award, and a Tony Award. Kendrick's first starring role was in the 1998 Broadway musical High Society, for which she earned a Tony Award nomination for Best Featured Actress in a Musical. She made her film debut in the musical comedy Camp (2003) and had a supporting role in The Twilight Saga (2008–2011). She achieved wider recognition for her role in the comedy-drama film Up in the Air (2009), which earned her an Academy Award nomination for Best Supporting Actress, as well as for her starring role in the Pitch Perfect film series (2012–2017). She starred in the comedies Scott Pilgrim vs. the World (2010) and 50/50 (2011), the crime drama End of Watch (2012), the musical Into the Woods (2014), the thrillers The Accountant (2016) and A Simple Favor (2018), and the fantasy comedy Noelle (2019). She has voiced the lead role in the animated musicals of the Trolls film franchise since 2016. She starred in the short-form comedy series Dummy (2020), for which she received a nomination for a Primetime Emmy Award for Outstanding Actress. She made her directorial debut with the self-starring thriller Woman of the Hour (2023). Kendrick sang on soundtracks for some of her films, including the single "Cups" in 2012, and at events such as the 2013 Kennedy Centre Honours and the 2015 Academy Awards. Her memoir, Scrappy Little Nobody, was published in 2016. Description above from the Wikipedia article Anna Kendrick, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Anna Kendrick

Queen Poppy
for Queen Poppy in Once Upon a Time... in Pixar
Suggested by kalebthehedgehog25

Beyond the worlds of Toy Story, Monsters, Inc., A Bug's Life, and The Incredibles, the characters in these stories are more than just fictional creations—they are animated actors, brought to life through advanced scientific machines powered by emotion and imagination. These beings exist solely to perform in movies, with each new film generating a unique cast of characters, along with duplicate copies for production purposes. However, when they go through their existential crises, they discover the movie studio no longer has any use for them or their duplicates, and they are dismissed by Hollywood elites like the Oscars, who belittle animation and refuse to give them awards. The animated characters decide it's time to revolt!