Age: 37
female
Zoë Isabella Kravitz (born December 1, 1988) is an American actress, singer, and model. The daughter of actor-musician Lenny Kravitz and actress Lisa Bonet, she made her acting debut in the romantic comedy film No Reservations (2007), and had her breakthrough portraying Angel Salvadore in the superhero film X-Men: First Class (2011), which earned her nominations for a Teen Choice Award and a Scream Award. She rose to prominence playing Christina in The Divergent Series (2014–2016) and Leta Lestrange in the Fantastic Beasts film series (2016–2018). Kravitz earned acclaim for her lead roles in the HBO drama series Big Little Lies (2017–2019), which earned her a Screen Actors Guild Award nomination, and the Hulu romantic comedy series High Fidelity (2020), for which she won a Black Reel Award and received a nomination for a Satellite Award. She voiced Catwoman in The Lego Batman Movie (2017), and will reprise the role in Matt Reeves' DC film The Batman (2022); she additionally provided the voice of Mary Jane Watson in Spider-Man: Into the Spider-Verse (2018). She appeared as Toast the Knowing in Mad Max: Fury Road (2015), and has starred in numerous independent films, including Dope (2015), Adam Green's Aladdin (2016), and Gemini (2017). In addition to acting, Kravitz works as a fashion model and musician. As of 2017, she is the face of YSL Beauté. Kravitz has also starred in campaigns for Tiffany & Co., Vera Wang, Balenciaga, Alexander Wang, Coach New York, Tumi, and Calvin Klein. She fronts the band Lolawolf and released the albums Calm Down in 2014 and Tenderness in 2020.
A faithful, psychologically rich adaptation of the Odyssey that treats Odysseus neither as uncomplicated hero nor simple villain, but as an extraordinarily intelligent man whose greatest strength — his cleverness — is also the thing that makes him most capable of harm. The series follows the decade-long journey home following the Trojan War, with each season covering distinct episodes of the voyage: the Cyclops and Aeolus; Circe and the Sirens; the Underworld (Hades) where Odysseus encounters his dead companions. Crucially, the Underworld episode portrays Hades and Persephone faithfully: their realm is grave and orderly but not cruel. Hades permits Odysseus's consultation with the dead not out of theatrical menace but out of the same impartial justice that governs all his decisions. Penelope in Ithaca runs an equal parallel storyline — not as passive waiter but as active strategist, governing the household and outmaneuvering suitors through her own formidable intelligence.
