Age: 65
male
Jared Francis Harris (born August 24, 1961) is a British actor who has appeared in film, television, and theater. He is the son of the late Irish actor Richard Harris and the Welsh actress Elizabeth Rees-Williams. Harris was born in Hammersmith, London, in 1961. He studied drama and literature at Duke University in North Carolina, and then went on to train at the Royal Central School of Speech and Drama in London. Harris made his film debut in 1989 with a small role in the film The Rachel Papers. He went on to appear in a number of films, including The Last of the Mohicans (1992), Natural Born Killers (1994), Smoke (1995), Happiness (1998), and How to Kill Your Neighbor's Dog (2000). In 2007, Harris began a recurring role as Lane Pryce in the 2007 AMC television series Mad Men and was received a Primetime Emmy Award for Outstanding Supporting Actor for his performance. In 2019, he won the British Academy Television Award for Best Actor for his performance as Valery Legasov in the HBO miniseries Chernobyl. Harris has also had notable roles in television series such as Fringe (2008), The Crown (2016), The Expanse (2015) and Foundation (2021). On stage, Harris has appeared in productions of The Crucible, The Cherry Orchard, and The Homecoming. He has also directed several stage productions, including The Glass Menagerie and The Birthday Party.
In a powerfully imagined Russia at the height of the pogroms, a grief-stricken family turn to ancient magic to bring their daughter back from the grave. Yetta is a bright, quick teenage girl with a wild, searching spirit. Stifled by her mother's anxiety, her father’s rules, and the path that’s been laid out for her, she craves the kind of freedom she doesn’t know the edges of. But her family has reason to be cautious and restrictive. Fear has wrapped itself around their shtetl. Jews are mysteriously disappearing, and there are whispers of an impending Gentile attack. When violence comes to their door, Yetta is killed. Her father, in his grief, fumbles through his nascent knowledge of ancient texts and old magic to bring her back. By some miracle, Yetta is returned—but although she looks the same, Yetta is not the girl she once was. She knows there is a secret her family is keeping from her. The answer resides, in part, in the monstruous being stalking the villagers and their enemies, lurking in the woods beyond the shtetl, something that may be of her father’s making, and a being which has plans of its own.
