Age: 43
male
Sebastian Stan (born August 13, 1982) is a Romanian-born American actor. He gained recognition for his role as Bucky Barnes / Winter Soldier in the Marvel Cinematic Universe media franchise, beginning with the film Captain America: The First Avenger (2011), and serving as a lead actor in the Disney+ miniseries The Falcon and the Winter Soldier (2021) and the film Thunderbolts*( 2025). On television, Stan played Carter Baizen in Gossip Girl (2007–2010) and the Mad Hatter in Once Upon a Time (2012), and starred in the miniseries Political Animals (2012). In 2022, he received critical acclaim for his portrayal of Tommy Lee in the Hulu series Pam & Tommy, earning nominations for a Primetime Emmy Award and a Golden Globe Award. On Broadway, Stan has appeared in the Eric Bogosian play Talk Radio (2007) and starred in the William Inge play Picnic (2013). On film, Stan had a supporting role in The Martian (2015), and starred in I, Tonya (2017) and Fresh (2022). For his performance in A Different Man (2024), he won a Silver Bear for Best Leading Performance and a Golden Globe Award for Best Actor. For his portrayal of a young Donald Trump in The Apprentice (2024), Stan earned an Academy Award nomination for Best Actor. Description above from the Wikipedia article Sebastian Stan, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Sebastian Stan
William 1990s-Present
for William 1990s-Present in Nothing Special
Suggested by emilycox
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
