Age: 44
female
Natalie Dormer (born 11 February 1982) is an English actress, best known for her roles as Anne Boleyn in the Showtime series The Tudors and as Margaery Tyrell in the HBO series Game of Thrones. Dormer was born in Reading, Berkshire and attended Chiltern Edge Secondary School before moving to Reading Blue Coat School, an independent boys' school that admits girls in the sixth form. She grew up with her stepfather, mother, sister Samantha, and brother Mark. She has said that she was the victim of bullying while at school. At school, Dormer was head girl, a straight-A student, vice-captain of the school netball team and she also got to travel the world with her school's public speaking team. During her school years, Dormer trained in dance at the Allenova School of Dancing. She describes herself as the "academic hopeful" of the family and was offered a place to study history at Cambridge; but, in her A-level History exam, she did not achieve the A grade she needed to attend. Dormer decided she would audition for drama schools and decided to train at the Webber Douglas Academy of Dramatic Art in London.
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
