Age: 49
male
Alexander Johan Hjalmar Skarsgård (born August 25, 1976) is a Swedish actor. Born in Stockholm, he began acting at age seven but quit at 13. After serving in the Swedish military, Skarsgård returned to acting and gained his first role in the US film comedy Zoolander. In 2008, he played Marine Brad Colbert in the miniseries Generation Kill. Skarsgård's breakthrough came when he portrayed vampire Eric Northman in the television series True Blood (2008–2014). After appearing in films such as Melancholia (2011), Battleship (2012) and The Legend of Tarzan (2016), Skarsgård starred in the drama series Big Little Lies (2017–2019) as an abusive husband, which earned him a Primetime Emmy Award, a Golden Globe Award, a Critics' Choice Television Award, and a Screen Actors Guild Award. From 2019 to 2022, he appeared in the films Long Shot (2019), Godzilla vs. Kong (2021), Passing (2021), and The Northman (2022) as well as playing Randall Flagg in the miniseries The Stand (2020–2021). Description above from the Wikipedia article Alexander Skarsgård, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Alexander Skarsgård
Mikey (1960s)
for Mikey (1960s) in Nothing Special
Suggested by emilycox
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
