
Age: 50
female
Linda Edna Cardellini (born June 25, 1975) is an American actress. In television, she is known for her leading roles in the teen drama Freaks and Geeks (1999–2000), the medical drama ER (2003–09), the drama thriller Bloodline (2015–17), and the tragicomedy Dead to Me (2019–present), the latter of which earned her a nomination for the Primetime Emmy Award for Outstanding Lead Actress in a Comedy Series. She also guest starred in the period drama Mad Men (2013–15), for which she received a Primetime Emmy Award nomination. Her voice work includes the animated series Scooby-Doo! Mystery Incorporated (2010–13), Regular Show (2012–15), Gravity Falls (2012–16), and Sanjay and Craig (2013–16). In film, Cardellini is best known for her portrayal of Velma Dinkley in Scooby-Doo (2002) and its sequel Scooby-Doo 2: Monsters Unleashed (2004), and her supporting roles in Legally Blonde (2001), Brokeback Mountain (2005), Grandma’s Boy (2006), Kill the Irishman (2011), Avengers: Age of Ultron (2015), The Founder (2016), Green Book, A Simple Favor (both 2018), and Avengers: Endgame (2019). She also starred in the drama Return (2011), earning an Independent Spirit Award for Best Female Lead nomination, the comedies Daddy's Home (2015) and Daddy's Home 2 (2017), and the horror film The Curse of La Llorona (2019). Description above from the Wikipedia article Linda Cardellini, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Linda Cardellini

Mae (1990s-Present)
for Mae (1990s-Present) in Nothing Special
Suggested by emilycox

New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.


