Age: 32
female
Elizabeth Gillies is from Haworth, New Jersey. After making her Broadway debut at age 15, Liz's career was launched on the generation-defining Nickelodeon series, Victorious where she quickly became a household name as 'Jade West.' She then captured audiences on the FX series, Sex&Drugs&Rock&Roll, where she starred as the scene-stealing 'Gigi' opposite Denis Leary. From there, Gillies went on to star as 'Fallon Carrington' in the popular Netflix series, Dynasty which ran for an impressive 108 episodes. Her other television roles include The Orville, White Collar, The Black Donnellys as well as voiceover work on Family Guy, Robot Chicken, American Dad, Winx Club, and more. On the film side, Elizabeth starred in and produced the 2024 film, Spread opposite Harvey Keitel. She can also be seen in the independent film, Arizona, opposite Danny McBride which premiered at the Sundance Film Festival in 2018, the Drew Barrymore produced horror film, Animal, as well as the Warner Brothers feature Vacation. Gillies also starred in Warner Brothers' animated film, Catwoman. In addition to her acting career, Gillies is a singer who performs regularly to sold out audiences across the country. She has two records out with her longtime friend and collaborator, Seth MacFarlane.
Elizabeth Gillies
Dolores (1960s)
for Dolores (1960s) in Nothing Special
Suggested by emilycox
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
