Age: 31
female
Zoey Francis Chaya Thompson Deutch (born November 10, 1994) is an American actress. She is daughter of director Howard Deutch and actress-director Lea Thompson. She gained recognition for her roles in the film Everybody Wants Some!!, the Netflix comedy series The Politician, and the film Set It Up. Deutch began her career with roles on the Disney Channel comedy series The Suite Life on Deck (2010–2011) and The CW crime drama series Ringer (2011–2012). Following her credited film debut in the gothic romance film Beautiful Creatures (2013), she starred in the fantasy horror film Vampire Academy (2014), for which she received a Teen Choice Award nomination. Deutch achieved critical praise for her roles in numerous films, including Richard Linklater's Everybody Wants Some!! (2016), Why Him? (2016), Before I Fall (2017), Flower (2017), and Rebel in the Rye (2017), for which she has received awards from the Dallas International Film Festival and the SCAD Savannah Film Festival. In 2017, her mother directed her and her sister Madelyn in the comedy-drama film The Year of Spectacular Men, which Deutch also co-produced. She went on to star in the critically acclaimed romantic comedy Set It Up (2018), the zombie comedy Zombieland: Double Tap (2019), and the comedy-drama Buffaloed (2019), which she also produced.
New York City, 1966. Seventeen-year-old Mae lives in a run-down apartment with her alcoholic mother and her mother's sometimes-boyfriend, Mikey. She is turned off by the petty girls at her high school, and the sleazy men she typically meets. When she drops out, she is presented with a job offer that will remake her world entirely: she is hired as a typist for the artist Andy Warhol. Warhol is composing an unconventional novel by recording the conversations and experiences of his many famous and alluring friends. Tasked with transcribing these tapes alongside several other girls, Mae quickly befriends Shelley and the two of them embark on a surreal adventure at the fringes of the countercultural movement. Going to parties together, exploring their womanhood and sexuality, this should be the most enlivening experience of Mae's life. But as she grows increasingly obsessed with the tapes and numb to her own reality, Mae must grapple with the thin line between art and voyeurism and determine how she can remain her own person as the tide of the sixties sweeps over her.
